Point of View


BLIND AND VISION-IMPAIRED GUESTS EXPERIENCE TOUCH TOURS

One of the ongoing commitments of the Adrienne Arsht Center to our community is to be accessible to everyone regardless of disability challenges. In addition to the Saturday matinee sign-interpreted and Sunday matinee open-captioned Broadway in Miami performances already offered for deaf and hearing-impaired guests, this season the Center introduced audio descriptions for blind and vision-impaired guests for the Sunday matinee performances. And just recently, the Center added another program— touch tours for The Nutcracker and Beauty and the Beast, in collaboration with Miami City Ballet and Broadway Across America.

For The Nutcracker, Edward Villella, Founding Artistic Director and Chief Executive Officer of Miami City Ballet, generously gave his time pre-performance to give the history and description of a number of the costumes and props used in the production. A group of vision impaired guests had the opportunity to touch the costumes to fully enjoy the texture and style of the silks, satins, and lace and to handle the props. While everyone enjoyed the delicate costumes of the Flowers and the Sugar Plum Fairy, the overall favorite for tactile richness was that of the Rat King. The touch tour literally set the stage for the performance that followed.

Having received rave reviews from our guests, we approached the Beauty and the Beast company and asked if they would also agree to share their time with our guests. While the touch tour for The Nutcracker was held in the Next Generation Green Room of the Ziff Ballet Opera House, for Beauty and the Beast our guests along with their companions went right on stage where they had the opportunity to touch not just the costumes and props, but also the actual set. Being on the stage also gave guests a first-hand understanding of the length and breadth of the performance space. The entire experience was deemed thrilling, but most agreed that the highlight of the tour was meeting the Beast!

Although not every production lends itself to touch tours, the Center will continue to explore the opportunity to offer this service for our vision impaired and blind guests whenever possible with the goal of making the Adrienne Arsht Center, our home, a welcome place to experience great performances and superior guest service for everyone.

Advertisements


DANCE AT THE CENTER

February 2011 marks a milestone month for dance at the Center.  The Center expects to see more than 22,000 South Floridians leap through our doors for diverse and dynamic dance programs, making the Adrienne Arsht Center one of the premier venues for dance in the country.  Earlier this month Peru Negro and Eva Ayllon had Miamians dancing in the aisles; Miami City Ballet enchanted with a mixed bill featuring masterworks by Balanchine, Taylor and Tharp;  last week Rennie Harris’ young hip hop troupe, RHAW, made their Miami debut; and next week Flamenco Festival returns for the fourth consecutive season with Spain’s leading ambassadors of flamenco, Ballet Nacional de España.

This weekend, Alvin Ailey American Dance Theater soars into town for what has become a beloved Miami tradition – the company’s annual performance residency at the Center showcasing the world’s greatest dancers and one of the most inspiring dance masterpieces, Revelations.  This season, Ailey celebrates 50 years of Revelations, honoring a dance that has travelled across continents, touching audience members from Brooklyn to South Africa.  Artistic Director Judith Jamison, now in the final year of her incredible 25-year tenure at the helm of the company, makes her last stop in Miami this season, passing the torch to Liberty City native Robert Battle.  With Miami’s native son posed to step into perhaps the most prominent dance leadership position in the country, now more than ever dance in Miami is exploding onto the local and national scene.

Come dance with us!




%d bloggers like this: